Each song's eq may appear perfect by itself, however if you sequence them together, unexpectedly one song sounds too bright (or too dull ...). Idea # 1: remember that any eq modifications to your stereo mix affect the entire mix - if you want to cut 3 db at 80Hz due to the fact that your mix sounds muddy, remember to examine how that affects all the instruments (e.g. the vocal), not simply the bass guitar and kick drum. Compression: In mastering, this is used not simply to control a mix or to include character, but likewise to "print" or send as much level to the master as possible without clipping the signal.
Spacing & Crossfading.
Spacing: there are different viewpoints as to how one must approach the spaces put in between tunes on a record. Some feel the downbeat of one tune must fall at the start of a brand-new bar, in the tempo of the previous tune (to continue the flow.) Others believe you ought to avoid this like the pester, since it lessens the impact. In the end, do whatever feels. There is no standard. Cross-fade your tunes if you like, or place 6 seconds in between them. (2-4 seconds is common in the majority of popular, non-classical records, but it depends on you.) Final idea: you might be inclined to master the same recordings that you combined, whether it is for financial factors, imaginative reasons, or simply because you can. We strongly advise that you get someone else to master your job. The neutrality and fresh ears they give the table inevitably lead to a stronger, more cohesive album.
Common locations of concern for a mastering engineer are: equalization (eq), compression, levels (volume) relative from one song to the next, and spacing between tunes. Or you might have ten songs blended by 3 different engineers in five various studios.
Each tune's eq may seem ideal by itself, however if you sequence them together, all of a sudden one tune sounds too intense (or too dull ...). Tip # 1: remember that any eq modifications to your stereo mix impact the entire mix - if you want to cut 3 db at 80Hz since your mix sounds muddy, keep in mind to examine how that affects all the instruments (e.g. the vocal), not just the bass guitar and kick drum. Compression: In mastering, this is used not simply to manage a mix or to Free Type Instrumentals Trap include character, but also to "print" or send out as much level to the master as possible without clipping the signal.
